Creature from Black Lake (1976)

Sometimes I search for some weird stuff while working and this week that has happened a lot. With my side job with Titans Wire keeping me busy, I am finally able to sit back and catch up on some of the movies that caught my eye. This one was one I haven’t watched in decades and was excited to see it streaming on Amazon, the 1976 bigfoot inspired Creature from Black Lake.

Plot: Two men exploring the Louisiana swamps encounter a Bigfoot-type creature.

As much as The Legend of Boggy Creek inspired me to get into researching the unexplained, this one may rank a pretty close second. This is another example of the classic B-Movie creature features that influenced a generation. This low budget film is a more entertaining overall film than Boggy Creek and takes on the subject in an interesting way. The documentary style really works and this one does offer some suspense. While the performances are uneven and some of the cinematography doesn’t hold up, for the low budget and time period this is a decent entry and entertaining. In the end, this one definitely should be viewed in the same way many hold the Legend of Boggy Creek. This one is a drive-in special and an interesting watch. 

Meteor (1979)

I was searching for something to watch earlier today and stumbled onto one of the classic disaster flicks that I grew up with. This was ironic, because just yesterday I mentioned this genre to someone on X. Because the conversation was still fresh in my mind, I decided to sit back and enjoy 1979s Meteor. 

Plot: The U.S. must join forces with the U.S.S.R. in order to destroy a gigantic asteroid heading straight for Earth.

Ahh, the 70s were such a good decade for fear mongering and disaster films. While this one isn’t one of the better entries, it is an interesting throwback to that era and genre. The ensemble cast is deep and they put on solid performances. While some of the storyline seems a bit out of touch, having grown up in that time, I felt at home with the Cold War aspects that were a constant throughout the film. The effects are dated, the soundtrack doesn’t blend, and some of the overall feel was uneven and cheesy, but that is what made those All-Star disaster films so much fun. The story lacks tremendous depth but it is interesting, casting is spot on, and there are moments of suspense that do hold up. In the end, this one didn’t age well because much of the underlying atmosphere was tied to the Soviet Union and the Cold War. If you grew up during that time frame like I did, then this one will be appreciated. It is far from perfect and nowhere near the best disaster movie from the era, but it is a fun trip back to when the world and attitudes were totally different. 

Season of the Witch (1972)

After watching some holiday horror, I decided that I needed to go into the time machine and check out a classic. Growing up in the Pittsburgh area, no one was bigger than George Romero, his living dead series is woven into our fabric. While this one isn’t part of that series, it is one that I remember renting on VHS in my youth, 1972s Season of the Witch AKA Hungry Wives. 

Plot: A neglected, unhappy suburban housewife gets mixed up in witchcraft with unexpected consequences.

I know this one isn’t for everyone and it is likely one of Romero’s weakest entries, but there is something about that I love. Not a true horror film by any means, this one is more artsy and almost experimental within the confines of a dark, almost exploitative drama. There are occult overtones and multiple dream sequences that dive into more horror elements, but it is definitely nowhere near horror. The performances are solid and the ideas are there to outline what he was thinking, but it is a bit wordy and slow at times. The pacing does bring the film down, likely turning off many with the way it slowly builds. The technical aspects are rather good and overall it isn’t a terrible film. In the end, this one definitely isn’t Romero’s best work and won’t be for everyone, but it is worth watching at least once. Romero laid the foundation for horror as we know it today and he could have never achieved that without his early entries like this

Blood Sabbath (1972)

I took a few days away as I have been busy around the shop.  Between that and the weather, I haven't wanted to watch anything or really do anything, but I figured that I would get back to some movies today I was the best skies continued above us.  My selection was a 1970s witchcraft flick Blood Sabbath. 

Plot: A coven of witches captures a young man travelling through the woods. He gets involved in a power struggle between a beautiful witch and the evil queen who heads the coven.

Ok,  this one is exactly what you would expect from the early 70s. Surely made for the drive-in era,  this is a strange one.  Not really a horror movie,  but from the beginning of the Satanic Panic, it was clearly playing on the fears of the population with the nudity and the Occult and witchcraft overtones. The storyline makes little sense and had me scratching my head on multiple occasions, the pacing is slow,  and performances are in no way convincing. I'm sure this was a low budget entry,  but still,  there aren't many things to make it worthwhile.  Fortunately,  it was streaming on Tubi, so I didn't have to spend anything to take up 90 or so minutes.  Stay away.  

Starship Invasions (1977)

After a stretch of modern movie with mixed results, I was in the mood for some classic Sci-Fi  schlock. While searching,  I found it with this 70s Alien Invasion film tradition none other than Sir Christopher Lee. It is the 1977 entry,  Starship Invasions. 

Plot: An advance team from a dying, far-off civilization seeks a new world to conquer and inhabit -- Earth.

With a cast featuring Christopher Lee and Robert Vaugh, how could this one go so wrong? Sure, it's not terrible,  but it's not really good either.  In fact,  it's perfect mindless 70s aliens themed schlock. The concept is interesting and there are some good visuals and effects (along with some bad ones). However,  this low budget film suffers mightily from low energy.  Other than Lee and Vaugh, the unrecognizable cat is just blah,  and that almost dooms this from the start. Truly,  the performances drag down what could have potentionally been somewhat memorable. Instead,  what is left is a late-night horror Host special that isn't really worth watching unless you are looking for a mindless alien themed flick for background fodder.

Summer of Fear (1978)

I decided to take a break from cryptids today and did into another interesting topic, Witchcraft.  After did quick searching,  I decided on the made for Television Wes Craven entry Summer of Fear. (AKA Stranger in Our House)

Plot: A teenage girl's life is turned upside down after her cousin moves into her house, and as time goes by she begins to suspect that she may be a practitioner of witchcraft.

For this looking for a precursor to Freddy and a Nightmare on Elm Street, this one will likely disappoint. Origins this third horror entry for Wes Craven was a made for television movie,  thus,  it lacks the impact of typical theatrical releases. However,  the cast and performances are actually pretty good.  Yes,  the setting, costuming, and some of the technical aspects feel and appear dated, but for a movie from the late 70s, most of it holds up quite well.  The storyline is interesting (although a bit predictable) and it did keep me interested to see how it was going to end (did they make a sequel?). In the end,  this wasn't a bad time at all.  Yes,  it won't be for everyone,  but if you are looking for a subtle witchcraft bar film give it a shot.  

Your Vice is a Locked Room and Only I Have the Key (1972)

It was definitely nice being back home in Virginia Beach, although I will say I miss the quiet that came with being in Pennsylvania. Now at home,  I wanted to do what I do every year on this day,  celebrate the birth of the great Edgar Allan Poe. This year I chose the underrated 1972 loose adaptation of the Black Cat, Your Vice is a Locked Room and Only I Have the Key.

Plot: Oliviero is a drunk, burned-out writer who amuses himself by hosting orgies and humiliating his wife. When a number of women are murdered in grisly fashion, Oliviero becomes a prime suspect.

This is dungeon one in a long line of "loose" adaptations of Poe's work.  Yet,  this stylized giallo is rather entertaining. This one did drag a bit and seemed longer than it needed to be,  but to me this is offset by the solid performances,  gore, outstanding soundscape, nudity, and cinematography. Plus,  it did actually have interesting dialog and eventually did venture into some of Pos's tale,  which was the goal for the day.  Sure, there is a low body count and it wasn't as eye catching as did of the giallo movies of the era,  but they didn't hurt the movie much.  In the end,  this one is definitely for fans of the genre and a fun film to stream.  Giallo fans should check it out. 

Five Dolls for an August Moon (1970)

Wow, it was a cold one here in Pennsylvania today.  It was definitely a far cry from what I am used to at the beach.  Oh well,  what can you do? After picking up a few things for the toy store,  I decided to stay warm by watching a movie,  my choice was the 1970 Italian horror, Five Dolls for an August Moon. 

Plot: When an inventor takes a group of investors for an island vacation, an unseen murderer kills them one by one.

While there are many elements in this one that screams Bava, there is definitely something lacking in this one.  Artistically this one features some solid work with with the direction and cinematography, but it definitely does not match the quality of did of his other works. The storyline and scripting are lacking, leading to what eventually spirals into a mess. Fortunately, Bava does enough to keep the movie from being boring and it isn't a total waste.  In the end,  this is far from his best work, but he still manages to create an entertaining and watchable film. It's not perfect by any means,  but you can still give it a shot. 

Watch Me When I Kill (1977)

After another day of miserable weather and just sitting around the house,  I decided to venture back into some classic Italian horror.  My selection was the 1977 giallo,  Watch Me When I Kill. 

Plot: When a pharmacist is murdered and a woman happens to see the culprit leave the scene, she soon finds herself being stalked by the killer. Her boyfriend tries to identify the murdered and stop him, but discovers there is more to the murder.

This giallo definitely pays homage to easily Dario Argento with many elements feeling like they are right from his classic Deep Red. While not a rip off,  the elements are noticeable. However,  this is an entertaining movie to watch featuring some good kills,  an interesting story,  and a fun soundtrack that takes you back into the 70s and classic Italian horror.  Technically,  there are some flaws with the audio flow and the language dubbing, and the effects are somewhat minimalistic, but those flaws are really covered by the storyline and performances.  In the end,  this is a solid movie and one that probably should be watched if you are a fan of giallo. 

Prophecy (1979)

While I continue to do my research for my next post on Leave the World Behind post,  I took some time to watch some older entries.  My latest entry will be on a classic ecohorror flick from the 70s. The 1979 entry prophecy.

Plot: A government health inspector is dispatched to assess the damage a logging company is causing to a patch of forest claimed by Native Americans, and comes face to face with true terror wreaking havoc in the woods.

While this is far from a perfect movie,  it is definitely one of the better ones from the late 70s. Featuring a solid cast,  the performances are really good and the storyline is rather interesting for the time.  Yes,  it was made lacking the gore and true horror elements that could have taken it to the next level (a PG rating) and it does plod along at some points,  but it really does succeed at creating a solid creature feature.  In the end,  this one may lack the punch of some features,  but it is a fun watch and one that should be put into your creature feature rotation.  

Bog (1979)

I know I haven't posted much lately,  although, that isn't too easy that I haven't been watching stuff or researching strange things.  In fact,  I spent most of last week and this week marathoning Grimm, a show that I believe had a lot of predictive programming elements woven in. Last night,  I went to see Oppenheimer, and while I could review that,  I will hold off because of the strike. That's no problem,  because that gives me a chance to look at some older movies,  such as 1979s Bog.

Plot: Dynamite fishing in a rural swamp revives a prehistoric gill monster that must have the blood of human females in order to survive.

I know Horror Host Mister Lobo says, "they're not bad movies, they're just misunderstood movies" and I can usually agree with that.  Usually you can found some element that makes it worth watching.  That isn't the case with this one,  as it may be one of the worst movies I have ever seen.  Really,  there are no redeeming qualities.  The acting is below average or worse,  the cinematography, effects, and editing are bad (even for low budget films), the storyline is unreal,  and the overall quality of the movie has in no way held up over time.  Incredibly,  there are no signs that any of this was intentionally put together to give it some comedic elements. This movie is just bad. Stay away!

Horror Express (1972)

Before I got distracted last night by the news of the unknown aircraft that was shot down of the coast of Alaska, I did find some time to watch a classic horror flick.  My selection for the afternoon/evening was 1972s Horror Express.

Plot: While on the Trans-Siberian Express, an anthropologist and his rival must contain the threat posed by the former's cargo: a prehistoric ape which is the host for a parasitic life-for.

This movie has to be one of the best films of 1972. Starring horror icons Peter Cushing and Christpher Lee, what more can you ask for? This one comes complete with an intriguing storyline,  an array of classic scares, and enough claustrophic atmosphere to keep you entertained throughout. In many ways, this movie is really more than a horror flick touching on a wide variety of topics throughout.  Unfortunately,  as good as the storyline is,  it does have some holes (a lot) and there are a bunch of head-scratching moments,  but those are easy to overlook. In them end,  this is a must see for horror fans.  Yes,  there are some things that may feel dated, but that doesn't matter. Sit back and enjoy!

Messiah of Evil (1973)

Yesterday, I decided to take a break from most of my electronics after feeling worn out from going to the midnight movie classic, The Rocky Horror Picture Show with a live cast at the NARO. That was the first time I had gone out that late in quite some time and I felt it.  While I did do some sorting,  I spent a good bit of time relaxing.  During that time,  I decided to watch a few movies including this 1973 offering Messiah of Evil.

Plot: A young woman goes to look for her missing father. Her trip takes her to a strange California coastal city ruled by a mysterious cult of the walking dead.

This is one that i am surprised that i hadn't watched previously.  Found on Prime, i live the fact that these older pieces are available to stream.  I so miss the trips to the local video store to find something to watch.  Do 1973, this unique film does feel a touch dated and the over quality does suffer,  but,  don't let the results of the dated elements and v technology deter you from checking this one out. This is definitely one of the more original storyline in the genre,  and one that does still work today.  Unfortunately,  movies today do not embody these unique stories,  and thus,  lack the atmosphere that this is does accomplish with some solid direction and cinematography. Thus is a really good example example of early low budget independent filmaking. Yes,  there are problems throughout the film and it is not close to being a technical masterpiece. But, if you love older horror,  this is one that is worth watching. 

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Where Have All the People Gone (1974)

It was a night. After dealing with so many issues of ineptitude and working on this mechanism for a 1949 alligator toy last night, I was unable to motivate myself into working on any type of listing for the shop. It sucks, as I was making such good progress on everything. I guess I will have to do double tonight. As background noise, I put on the 1974 post-apocalyptic made for television flick Where Have All the People Gone.

Plot/ Earth encounters a massive solar flare that decimates almost all life on Earth. Only people who were underground during the solar event are unharmed while the rest are dead or dying. A band of survivor’s cross country to seek others in a world laid waste.

I must admit, the premise of this story even though it is one that has been used quite a bit intrigues me. Ever since I was a kid and watched Night of the Comet for the first time, the whole idea is fascinating. While this one lacks the excitement and action factors of some of the more modern incarnations, it pulls off the story in a thought-provoking way with solid performances and a heavy and tense atmosphere. As usual, Peter Graves was superb and an outstanding choice for the lead in this more dramatic attempt at an apocalypse scenario. It is hard to believe that this was made for TV as compared to the schlock that populates many of the movies today. Yes, some of it may feel dated and the pacing somewhat slow, but those flaws are easily overshadowed by the content of the film. In the end, this entry is much better than the modern CGI infested films that are more mindless and background noise than quality. Check this one out, it would be worth your time.

Soylent Green (1973)

What a weird weekend it was and even though it doesn’t feel like it, I was able to get a lot accomplished on my business plan. Incredibly, I got five eBay listings and a few more Etsy Store listings in place for the Ringmaster’s Realm stores. During that process, I was ale to have some solid background entertainment, one of those being the 1973 classic Soylent Green.

Plot/ In 2022, Earth is overpopulated and totally polluted; the natural resources have been exhausted and the nourishment of the population is provided by Soylent Industries, a company that makes a food consisting of plankton from the oceans. After called to investigate a murder, Detective Thorn discovers a bizarre and disturbing secret of the ingredient used to manufacture Soylent Green.

Soylent Green is such an interesting film and one that takes the viewer into a world that they probably don’t see coming. This one screams 1970s excess during what is a complete nightmare scenario for those that live in the city during the 2022 time-frame that the plot holds. While not a perfect flick, it does have some of the cult classic elements that popularize this eras movie. The sets and costuming are strange, the performances solid, and the storyline is amazing. Most importantly, the theme of the film does feel relevant today, and some of the Sci-Fi elements are probably closer to reality here in 2019 than they were in 1973 when the movie was made. Yes, some of it feels dated, there are some head scratching moments, and did I say the costuming was outlandish? I’m sure I did.  Overall, it is easy to see why this one continues to be influential after all these years. In the end, while not perfect, Soylent Green is extremely entertaining, and the ending is perfect. It is worth watching (especially for fans of older Sci-Fi films) and it should be an eye-opening venture for those that sit on the fringe when thinking about some of the elements that plague us today.

Scream and Scream Again (1970)

Having spent many evenings working on these radio-drama scripts I have been contracted to do, I have found myself diving into many different genres over the past few weeks and it has been fun. Older movies seem to have such a wider appeal than the typical slasher or paranormal flicks that have overtaken horror and Sci-Fi in recent years. A perfect example of this is this 1970 entry, Scream and Scream Again.

Plot/ A serial killer who drains his victims' blood is on the loose in London; the police follow him to a house owned by an eccentric scientist.

It is funny, for years I thought I had already watched and reviewed this flick. For me, it was a great surprise when I decided to watch this bizarre weirdness. Starring Vincent Price, Christopher Lee, and Peter Cushing, this movie has everything you need to make a camp classic. It is truly a great mixture of horror, mystery, thriller, and Sci-Fi and most importantly, it was an easy watch considering the number of layers that are woven into the story. Honestly, you may feel lost at the start, but it is well worth watching and letting everything fall into place. The story is fun, interesting, and somewhat complex, the effects are solid (a little campy but solid), and all the performances are fun especially Price playing a mad scientist to perfection. Sure, it does have a few low budget head scratching moments and Price, Lee, and Cushing could have had larger roles (their screen time makes you want to see more), but overall the movie works on multiple levels and any flaws are easily overlooked. In the end, this is by no means the movie I expected or thought it was and that is a great thing. If you haven’t watched it, it will make great viewing as Halloween approaches. If you have seen it, check it out again.

And Now the Screaming Starts! (1973)

Last night I decided to continue venturing down that retro path and turned to Shudder to find something interesting. After some debate, I decided on the 1973 gothic ghost story And Now the Screaming Starts!

Plot/ England, 1795: the young Catherine has just married Charles Fengriffen and moves into his castle. She becomes the victim of an old curse that lays on the family. On her wedding night, she is raped by a ghost and gets pregnant.

This was a different film than I expected and I was actually quite entertained by the odd elements that were added in. From Amicus Studios, this gothic ghost story offers an interesting (albeit somewhat clichéd) storyline that was brought to life by an outstanding cast led by Peter Cushing. The performances were solid, the cinematography and setting were captivating, the atmosphere was heavy, and the visuals and color pallet used was amazing. Yes, the special effects were lacking in quality and the end game was a bit drawn out, but those are small flaws in what is definitely an underrated film in the studios' catalog. In the end, while there were some contradictory moments in the storyline and some of the low budget flaws rise up, for the most part, this one delivers. Yes, it is not perfect, but it is an entertaining movie and one that can be found on Shudder for free if you are in the mood for a classic gothic ghost story.

Schock (1977)

So, I have discovered that mentally, I am in a very retro mood and needed to continue down that road. After searching through some of my services, I decided on the 1977 Mario Bava entry Schock (AKA Shock and Beyond the Door II).

Plot/ A couple is terrorized in their new house haunted by the vengeful ghost of the woman's former husband who possesses her young son.

I love the work of Mario Bava and the entire Italian horror scene of the 1970s and this film is one of the reasons. Although it had been years since I watched it the first time, Shock continues to build on me. This film cries atmosphere and offers an interesting storyline that offers some decent twists. The performances from the minimalistic cast are solid and as usual, Bava delivers some incredible technical work and the ending is one that I truly enjoyed. Yes, some of the effects and gore may feel dated and it may feel somewhat predictable and ordinary by today’s standards, but those are but minor flaws within this film. In the end, there are enough elements inside this one to keep every fan of classic Italian horror satisfied. Sure, it is not perfect, but really, what movie is? Not only is this a good movie, with it being Bava’s last film, it is definitely a must see. Find it and check it out.

The Visitor (1979)

After taking a break last night from watching any movies, I decided that today I would go back and review a movie that I caught earlier in the week. That movie is the 1979 horror/sci-fi entry The Visitor.

Plot/ The soul of a young girl with telekinetic powers becomes the prize in a fight between forces of God and the Devil.

I am a huge fan of surreal movies that make you think; especially ones that can border on confusing and this one fits that bill perfectly. An interesting storyline that seems to feed on more than a few classics, this movie has some elements that should appeal to any horror or sci-fi fan. For the most part, the performances are solid, the cinematography is interesting, and the overall tone and feel of the movie works. Unfortunately, the storyline and plot, while intriguing have so many confusing elements that it is hard to make sense out of (even if you are paying close attention) and the soundtrack feels completely out of touch with the overall tone of the movie. In the end, this one will definitely fall into the love/hate category and is extremely hard to totally describe in any way. My only recommendation is to see it for yourself (at least once) and make your own judgment. Personally, I enjoyed it, but then again, my tastes are much different than many horror/sci-fi fans out there.

Dawn of the Dead (1978)

As I finally finish things from my weekend trip to Monsterfest, it would be hard not do a final review of a film that helped inspire me throughout the years. After some time, I decided to break down and review the 1978 George Romero classic, Dawn of the Dead.

Plot/ Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.

It is hard to review this film for so many reasons because there is really no way to do it justice. George A. Romero's Dawn of the Dead is definitely one of the greatest horror movies ever made and quite possibly is the best zombie film of all time. Much like the classic source material, this movie is a snapshot of society and has much more depth than a typical horror entry. Between the social commentary and focused worldview, this movie educates as well as scares and maybe even more relevant today as our society is in the midst of crisis and turmoil. Filmed in Monroeville Mall, this entry has everything in it that a horror fan will love. Between the outstanding effects by Tom Savini including tons of trademark gore, the intricate storyline that is both dark and comedic, and the amazing soundtrack that works perfectly within the confines of the tale, this is one that must be seen. Even the performances are beyond solid as all of the characters embraced their parts and took them to exactly where they needed to be. While I know that this review does not truly do this classic justice, it would be boring to continue to reiterate how great this film is and why it is a must-see for all true horror fans. In the end, if you have not watched this one, you are wrong! Find it and check it out.