Showing posts with label Three Mothers. Show all posts
Showing posts with label Three Mothers. Show all posts

Sunday, January 7, 2024

Mother of Tears (2007)

I sat down to find something to watch earlier after deciding to end my Hellraiser marathon and decided to give Tubi a try and I have to say,  I'm hooked.  After searching through their titles,  I decided on the finale of Dario Argento's Three Mothers Trilogy, 2007s Mother of Tears.

Plot: Grisly deaths await Italian citizens after an archaeology student (Asia Argento) accidentally releases a demonic witch from her ancient prison.

Let me start with the typical this one isn't for everyone, especially those looking for an Argento classic or something remotely close to the groundbreaking horror that put him on the map.  This definitely isn't they.  Although,  there are some good elements that can remind you of that era. The stylistic colors,  the soundtrack,  and even some of the pacing definitely have that feel. Even the gore is over the top,  like many of the Italian horror classics. What this one lacks is a solid script and is a bit disjointed with uneven performances.  Of the three movies,  this one is definitely is definitely my least favorite. Is it worth watching? Possibly,  if you are like me and wanted to finish the Trilogy,  it's a must. Other than that,  there are better Argento entries. 

Monday, March 18, 2019

Suspiria (2018)




I know that I keep saying that I am going to make more of a concerted effort in writing reviews of the movies I watch or at least, keep you updated on what is listed on the Ringmaster’s Realm over at ETSY. Unfortunately, between kids and then being sick, I haven’t been able to do everything that I wanted to do. That should all change soon, as I am definitely ready to buckle down and knock some stuff out (it also helps that I brought my Mac back to life). With that, the next movie for review is the 2018 remake (reinterpretation) of Suspiria.


Plot/ A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.


I had mixed feelings about this movie when I originally heard about it. I am a huge Argento fan and next to Deep Red, the original Suspiria were my first forays into his works. Because of that, I was unsure how I would feel about this one and wanted to stay away. Now, having finally watched it, what I found was something much better than I could have ever imagined it would be. Yes, this film is not for everyone and will likely fall into the love/hate spectrum of movies. For me, I loved it. While it does lack the transcending beauty of a classic Argento film, the cinematography is amazing; capturing every shot flawlessly, the atmosphere is dark and heavy, the performances are strong, and the soundtrack was a perfect match for the darkness on the screen. Sure, it isn’t the original (which will turn some people off) and some of the elements are difficult to totally put together, but those are easy flaws to overlook. In the end, this version of Suspiria will never overtake the status of the original and shouldn’t. This is a different version of a great story and it should be judged on its own merits. If you have not watched it yet, give it a shot. There are other films out there that are much, much worse.


Wednesday, July 26, 2017

Suspiria (1977)



Over the past few days, I have been working another 10-minute play potentially for an event later in the year in Pittsburgh. I have been so amazed by how my first play, Not Always What It Seems, continues to grow as the performance date approaches. Personally, I think I am hooked and love the process. Getting back to the blog before finishing my next play, I decided to venture into some darkness for some inspiration. My selection was the 1977 classic Suspiria.


Plot/ A newcomer to a fancy ballet academy gradually comes to realize that the school is a front for something far more sinister and supernatural amidst a series of grisly murders.


Staying inside the 1970s can be a fun time for any horror/sci-fi fan, as there are many classics that left an imprint on the genres to choose from. Suspiria is one of those films, and one of the movies that left a lasting imprint on me when I first started watching horror in my youth. In revisiting it this week, I found what I already thought; this Dario Argento masterpiece stands the test of time. Filled with a tremendous color pallet, a perfectly unsettling soundtrack from Goblin that blends into the atmosphere like a character, decent performances, and an incredibly dark and heavy atmosphere that that is woven into every second. Yes, the plot is thin with some giant holes in the storyline and the vibrant use of colors may turn some viewers off, but those are but minor flaws inside this mesmerizing journey into the depths of horror. In the end, this trip into darkness is one of the greatest Italian horror films ever made and a classic that every horror fan should watch. Find it and check it out.


Saturday, August 20, 2011

Inferno (1980)


As I sat down enjoying some flicks last night, it was awesome to travel back to my youth and enjoy some decent giallo. My decision was the 1980 Dario Argento entry Inferno.  


Plot/ Semi-sequel to Suspiria has a American college student in Rome, and his sister in New York investigating a series of killings in both locations where their resident addresses are the domain of two covens of witches.


Being the second movie in a series can be great or terrible, and I honestly feel this one falls somewhere in between. While not perfect, this flick has some great moments that make it a solid and chilling entry in the Argento’s world of the Three Mother’s.  The story, while vast and rather fluid, creates a world all its own, full of darkness. The casting, acting, and effects are solid. And as always, the flick features Argento’s timeless cinematography, color pallet and use of a dramatic score that transforms the mood into a gothic nightmare. Sure, the character development is lacking and some of the story is truly incoherent, but those flaws are easily overlooked. In the end, if you are a fan of Argento this is a must see. If not, check it out anyway, you will probably enjoy it.