Phenomena (1985)

While I have been spending some time on the subject of shadow people and the hat man,  there are times when I need to take a break.  When I do,  I love to jump back in time to some of the horror films that made me love the genre.  This 1985 Dario Argento film is one of those,  Phenomena (AKA Creepers)

Plot: A young girl who has an amazing ability to communicate with insects is transferred to an exclusive Swiss boarding school, where her unusual capability might help solve a string of murders.

This has always been a polarizing work,  much like a lot of Argento's works. For me,  it was one of the first movies I encountered by him and helped me fall in love with his imaginative and stylistic approach to horror.  The cast is alright and the performances are uneven,  but this do little to bring diem things interesting story filed with the concepts, visuals,  and details that always cry out in an Argento film.  Yes,  the storyline does have some plot holes and there are side technical issues,  but this one is one of the better Argento films and one that everyone should see.  

Watch Me When I Kill (1977)

After another day of miserable weather and just sitting around the house,  I decided to venture back into some classic Italian horror.  My selection was the 1977 giallo,  Watch Me When I Kill. 

Plot: When a pharmacist is murdered and a woman happens to see the culprit leave the scene, she soon finds herself being stalked by the killer. Her boyfriend tries to identify the murdered and stop him, but discovers there is more to the murder.

This giallo definitely pays homage to easily Dario Argento with many elements feeling like they are right from his classic Deep Red. While not a rip off,  the elements are noticeable. However,  this is an entertaining movie to watch featuring some good kills,  an interesting story,  and a fun soundtrack that takes you back into the 70s and classic Italian horror.  Technically,  there are some flaws with the audio flow and the language dubbing, and the effects are somewhat minimalistic, but those flaws are really covered by the storyline and performances.  In the end,  this is a solid movie and one that probably should be watched if you are a fan of giallo. 

Mother of Tears (2007)

I sat down to find something to watch earlier after deciding to end my Hellraiser marathon and decided to give Tubi a try and I have to say,  I'm hooked.  After searching through their titles,  I decided on the finale of Dario Argento's Three Mothers Trilogy, 2007s Mother of Tears.

Plot: Grisly deaths await Italian citizens after an archaeology student (Asia Argento) accidentally releases a demonic witch from her ancient prison.

Let me start with the typical this one isn't for everyone, especially those looking for an Argento classic or something remotely close to the groundbreaking horror that put him on the map.  This definitely isn't they.  Although,  there are some good elements that can remind you of that era. The stylistic colors,  the soundtrack,  and even some of the pacing definitely have that feel. Even the gore is over the top,  like many of the Italian horror classics. What this one lacks is a solid script and is a bit disjointed with uneven performances.  Of the three movies,  this one is definitely is definitely my least favorite. Is it worth watching? Possibly,  if you are like me and wanted to finish the Trilogy,  it's a must. Other than that,  there are better Argento entries. 

StageFright (1987)

It has been a slow few days with only a handful of sales coming through the store.  Skills It does make it easy to get the packages out,  it leads to trots to the post office that rings the flow of my day.  I really haven't made the progress in the shop that I had hooked for this week.  When it finally time to relax,  I decided to kick back with another classic 80s horror flick,  1987s giallo StageFright.

Plot: A group of stage actors lock themselves in the theater for a rehearsal of their upcoming musical production, unaware that an escaped psychopath has sneaked into the theater with them.

I love the giallo subgenre of horror. Since of my favorite films fall under that category and this is one that I hadn't seen.  Of course,  this is one reason I have Shudder because they offer many films that I haven't experienced along with a wide variety of newer horror.  Also known as Aquarius, this movie has to be regarded as one of the best slasher films or the era. Going away from the traditional slasher tropes of the day,  this one succeeds with outstanding and vivid cinematography that mixed with the uneven soundtrack works to create something dark and atmospheric. Yes,  some of the movie seems dated today, if you remember the 80s as well n as I do,  you should find it as refreshing as I did.  Directed by Argento apprentice Michele Soavi, you can see the influence with the combination of colors, thrills, and murders held tight within an interesting script.  This one is definitely a must watch for fans of classic Italian horror and the giallo subgenre. Check it out!

Suspiria (2018)

I know that I keep saying that I am going to make more of a concerted effort in writing reviews of the movies I watch or at least, keep you updated on what is listed on the Ringmaster’s Realm over at ETSY. Unfortunately, between kids and then being sick, I haven’t been able to do everything that I wanted to do. That should all change soon, as I am definitely ready to buckle down and knock some stuff out (it also helps that I brought my Mac back to life). With that, the next movie for review is the 2018 remake (reinterpretation) of Suspiria.

Plot/ A darkness swirls at the center of a world-renowned dance company, one that will engulf the artistic director, an ambitious young dancer, and a grieving psychotherapist. Some will succumb to the nightmare. Others will finally wake up.

I had mixed feelings about this movie when I originally heard about it. I am a huge Argento fan and next to Deep Red, the original Suspiria were my first forays into his works. Because of that, I was unsure how I would feel about this one and wanted to stay away. Now, having finally watched it, what I found was something much better than I could have ever imagined it would be. Yes, this film is not for everyone and will likely fall into the love/hate spectrum of movies. For me, I loved it. While it does lack the transcending beauty of a classic Argento film, the cinematography is amazing; capturing every shot flawlessly, the atmosphere is dark and heavy, the performances are strong, and the soundtrack was a perfect match for the darkness on the screen. Sure, it isn’t the original (which will turn some people off) and some of the elements are difficult to totally put together, but those are easy flaws to overlook. In the end, this version of Suspiria will never overtake the status of the original and shouldn’t. This is a different version of a great story and it should be judged on its own merits. If you have not watched it yet, give it a shot. There are other films out there that are much, much worse.

Dawn of the Dead (1978)

As I finally finish things from my weekend trip to Monsterfest, it would be hard not do a final review of a film that helped inspire me throughout the years. After some time, I decided to break down and review the 1978 George Romero classic, Dawn of the Dead.

Plot/ Following an ever-growing epidemic of zombies that have risen from the dead, two Philadelphia S.W.A.T. team members, a traffic reporter, and his television-executive girlfriend seek refuge in a secluded shopping mall.

It is hard to review this film for so many reasons because there is really no way to do it justice. George A. Romero's Dawn of the Dead is definitely one of the greatest horror movies ever made and quite possibly is the best zombie film of all time. Much like the classic source material, this movie is a snapshot of society and has much more depth than a typical horror entry. Between the social commentary and focused worldview, this movie educates as well as scares and maybe even more relevant today as our society is in the midst of crisis and turmoil. Filmed in Monroeville Mall, this entry has everything in it that a horror fan will love. Between the outstanding effects by Tom Savini including tons of trademark gore, the intricate storyline that is both dark and comedic, and the amazing soundtrack that works perfectly within the confines of the tale, this is one that must be seen. Even the performances are beyond solid as all of the characters embraced their parts and took them to exactly where they needed to be. While I know that this review does not truly do this classic justice, it would be boring to continue to reiterate how great this film is and why it is a must-see for all true horror fans. In the end, if you have not watched this one, you are wrong! Find it and check it out.

The Cat o'Nine Tails (1971)

Tonight was an awesome night as I finally was able to see Not Always What It Seems performed in front of an audience, and it was an amazing experience. This was an amazing moment and one that left me wanting to write more things for the stage. After a great dinner with PJ and AJ, I decided that it was time to review the one movie I did watch last week before all of the craziness started with the schedule. That movie is the 1971 giallo The Cat o’Nine Tails.

Plot/ A newspaper reporter and a retired, blind journalist try to solve a series of killings connected to a pharmaceutical company's experimental, top-secret research projects and in so doing, both become targets of the killer.

As a fan of Dario Argento, I often view this movie as one of his more overlooked films. While I do understand, why people overlook it, I don’t necessarily agree with them. Sure, it does lack many of the more memorable attributes of a typical Argento giallo, but it does offer an intriguing (albeit sometimes incoherent) storyline that is quite entertaining. Besides that, the performances are solid, the atmosphere is heavy, and as usual, the soundscape is outstanding. Yes, the film does lack the typical violence of an Argento flick, the camera work is not as crisp, and the surrealism that became an integral part of his later works just is not there. Plus, the scripting does seem to be all over and at times unfocused and the character development is uneven, but those elements would not be a huge issue if this wasn’t one of his films. In the end, while this is nowhere near Suspiria, it is a memorable giallo that would definitely be viewed differently if it wasn’t part of the Argento catalog. If you have not seen it, give it a shot. You may be surprised.

Suspiria (1977)

Over the past few days, I have been working another 10-minute play potentially for an event later in the year in Pittsburgh. I have been so amazed by how my first play, Not Always What It Seems, continues to grow as the performance date approaches. Personally, I think I am hooked and love the process. Getting back to the blog before finishing my next play, I decided to venture into some darkness for some inspiration. My selection was the 1977 classic Suspiria.

Plot/ A newcomer to a fancy ballet academy gradually comes to realize that the school is a front for something far more sinister and supernatural amidst a series of grisly murders.

Staying inside the 1970s can be a fun time for any horror/sci-fi fan, as there are many classics that left an imprint on the genres to choose from. Suspiria is one of those films, and one of the movies that left a lasting imprint on me when I first started watching horror in my youth. In revisiting it this week, I found what I already thought; this Dario Argento masterpiece stands the test of time. Filled with a tremendous color pallet, a perfectly unsettling soundtrack from Goblin that blends into the atmosphere like a character, decent performances, and an incredibly dark and heavy atmosphere that that is woven into every second. Yes, the plot is thin with some giant holes in the storyline and the vibrant use of colors may turn some viewers off, but those are but minor flaws inside this mesmerizing journey into the depths of horror. In the end, this trip into darkness is one of the greatest Italian horror films ever made and a classic that every horror fan should watch. Find it and check it out.

Demons (1985)

With my evening winding down after working on some nonfiction writing samples, I decided that I needed a trip into something mindless to help keep myself focused. What did I watch to help keep me motivated, nothing other than the 1985 classic Demons?

Plot/ A group of people are trapped in a large movie theater in West Berlin that is infected by ravenous demons who proceed to kill and posses the humans one-by-one, thereby multiplying their numbers.

If you were around in the 1980s and a horror fan, you should definitely remember what real horror looks like. There was none of this watered-down PG-13 crap masquerading as horror flicks; there was blood, gore, violence, and nudity. Honestly, there was anything and everything, and personally, I long for those days of cinema. This movie captures all of the excess of that decade and creates a memorable trip into the horror realm. Yes, it makes little sense, but that was the point, it was just fun mindless horror in an era that needed it. Helped by Italian horror masters Dario Argento and Lamberto Bava, this one has blood, guts, gore, and the kitchen sink. Hell, it even featured an interesting soundtrack that is a perfect trip down memory lane. In the end, if you love 1980s horror, you have to watch this one if you haven’t seen it already. Yes, there may be some flaws and dated effects, but it is a mindless romp through a dark and twisted world.

Argento's Dracula (2012)

Last night I was a bit disappointed with my movie selection. While the case sounded interesting, it did not in any way live up to the description. For tonight, I was able to pick up one that I know will have some schlock moments, the 2012 Dario Argento 3D adaptation of the Bram Stoker classic, Dracula.

Plot/ It has been 400 years since Count Dracula's beloved Dolingen De Gratz passed away, leaving the immortal bloodsucker forever abandoned. But when he discovers that local newlywed Mina Harker bears a striking resemblance, Dracula embarks on a bloody quest to reunite with his long lost love and live forever with her in hellish immortality. Only the arrival of vampire expert Abraham Van Helsing can put an end to the unholy plan.

Dario Argento's Dracula is an interesting watch for many different reasons. While, I am not sure exactly what direction the film was intended to take, it did have some entertaining moments. Almost an homage to the classic exploitation flicks of the 1970s, this one feels like it is better suited for time. This is far from Argento's best, although it does boat a sexy edge, some decent gore and an awesome soundtrack. Unfortunately, between the horrible CGI, the choppy editing, uneven performances, and slow pacing, this one leaves a lot to be desired. In the end, this unneeded adaptation of Dracula does have some fun moments that did remind me of my youth, but those are nowhere near enough for me to go out and recommend this one to everyone. Sure, there are worse versions out there, but that is expected with a classic tale. Unless you are a serious Argento fan, it may be better to just stay clear.

Phantom of the Opera (1998)

It was another day at the institute, and I will say that I will be glad when this week of FCC testing preps are over. This area may be my least favorite section that I teach. Fortunately, only two days left. To relax, I decided upon something mindless, 1998 Dario Argento entry, Phantom of the Opera.

Plot/ Gory remake of the Gaston Leroux classic story, only this time, and the phantom is not disfigured, but a man who was raised by rats deep under the Paris Opera House.

Argento can be such a polarizing figure, as some love his work and some hate it. For me, I have always been a fan. While this flick is far from my favorite, and not even close to his best, it is an interesting take on Gaston Leroux's classic tale. Sure, it is not his best work, but it has many of his signature elements that make it entertaining to watch on a rainy night. There are decent performances, strange characters, a decent storyline, awesome gore and a lot of nudity. Really, it has everything. Unfortunately, the audio quality truly took away from the overall feel of the flick and there were a lot of holes and flaws in the scripting. In the end, this is not the typical Argento entry but it is entertaining. Of course, as always, some will hate this flick, but that is OK. Check it out. 

Giallo (2009)

As we move into October 4, I was able to sit back and watch a modern tale from horror icon Dario Argento.  With only 27 days left until Halloween the countdown continues with 2009s Giallo.

Plot/ In Italy, a woman fears her sister may have been kidnapped. Inspector Enzo Avolfi fears its worse. They team up to rescue her from a sadistic killer known only as Yellow.

This Argento entry (OK semi-Argento, as the maestro disowned the film because of creative differences) is pretty much a basic thriller featuring only a touch of his stylizations. Sure, the acting is solid and there are some decent moments with some decently suspenseful atmosphere, but that is truly the only thing this flick has to offer.  For me, the pacing seemed a bit off throughout and that truly took away from the overall feel of the movie. In the end, this one had a lot of potential, but for whatever reason that never came to fruition. I was lucky enough to see it for free on Demand, and that is the only way I would recommend it.

Inferno (1980)

As I sat down enjoying some flicks last night, it was awesome to travel back to my youth and enjoy some decent giallo. My decision was the 1980 Dario Argento entry Inferno.  

Plot/ Semi-sequel to Suspiria has a American college student in Rome, and his sister in New York investigating a series of killings in both locations where their resident addresses are the domain of two covens of witches.

Being the second movie in a series can be great or terrible, and I honestly feel this one falls somewhere in between. While not perfect, this flick has some great moments that make it a solid and chilling entry in the Argento’s world of the Three Mother’s.  The story, while vast and rather fluid, creates a world all its own, full of darkness. The casting, acting, and effects are solid. And as always, the flick features Argento’s timeless cinematography, color pallet and use of a dramatic score that transforms the mood into a gothic nightmare. Sure, the character development is lacking and some of the story is truly incoherent, but those flaws are easily overlooked. In the end, if you are a fan of Argento this is a must see. If not, check it out anyway, you will probably enjoy it.

Unsane (AKA Tenebre - 1982)

I definitely should have paid better attention to the article AKA in Horrorhound Magazine a couple of issues ago. As I am discovering while watching my Drive-In Classics: 50 Movie Pack over the past few days since my surgery, there are so many important and influential movies that have fallen into the AKA category, a great surprise can be found at any moment (especially with giallo’s). One such revelation from yesterday was Unsane (AKA Dario Argento’s  Tenebre) from 1982.

Plot/ An American writer in Rome is stalked by a serial killer bent on harassing him while killing all people associated with his work on his latest book.

I do not know what more I can say about Tenebre. Not only is it one of Argento’s best, it may be one of the best examples of Giallo in cinema. The story is twisting and strong, the acting solid, the plot and pacing work well together, the soundtrack fits perfect and there is enough blood, gore and shocking violence to keep everyone happy (except maybe Tipper Gore). In the end, Argento’s artistic flair with the use of colors to create atmosphere is amazing, and he was truly on top of his game creating a thriller full of stylish murder and haunting elements. This is one of the best and definitely highly recommended to fans of blood, Giallo’s and Argento.

The Card Player (2004)

After some quiet and possibly too much sleep time, it was time to jump back at it. With that in mind, I looked through Netflix and discovered Dario Argento’s 2004 thriller The Card Player.

Plot/ A Rome policewoman teams up with a British Interpol agent to find a crafty serial killer whom plays a taunting game of cat-and-mouse with the police by abducting and killing young women and showing it over an Internet web cam.

While not his best work, this film is an interesting movie on many levels. Sure, it is not the classic giallo that Argento made famous, but it is a solid flick featuring some of his innate feel for visual styles. Maybe it lacks the visual flair of his classics, but he creates a dark and heavy feel throughout to match the wintery Roman countryside. The story is solid and actually a bit more coherent than usual, the acting sound, and the mood and atmosphere is backed-up by a decent soundtrack. While it may not be for the diehard Argento fan, all-in-all, this is a pretty good mystery/thriller and a film that is rather enjoyable.