Showing posts with label apocalypse. Show all posts
Showing posts with label apocalypse. Show all posts

Saturday, December 23, 2023

Leave the World Behind (2023) Part 3 - Tesla Roadblock


After a couple days of holiday horror (which I am continuing right now) I decided to get back to Leave the World Behind, and the symbolism and predictive programming it gave us. Tonight though,  I am going to go into one of the weirder scenes, one that was quite  prophetic already,  just days after the movie premiere on Netflix.

Plot: A family vacation on Long Island is interrupted by two strangers bearing news of a blackout. As the threat grows, both families must decide how best to survive the potential crisis, all while grappling with their own place in this collapsing world.


Looking back at this movie after a few days away,  this may be one of the most ironic scenes in the movie, when they stumble upon a fleet of Tesla's blocking the road as they attempt to escape the area. In the scene, hese are all brand-new self-driving Teslas, and they drove themselves to the highway. With no drivers present, it appears that these cars were hacked and more may very well be on their way to clog the highways. Sure enough, another Tesla starts coming down the road, driving straight toward the family’s car.

Is this possible? Absolutely. Yes, it would be extremely difficult and highly unlikely,  but the scene does present a situation that could happen in a freak scenario.  At first,  I was gong to skip past this and just chalk it up to the hatred that the government appears to have with Tesla and owner Elon Musk. From the outset under President Obama and especially now under President Biden, Tesla never gets recognized the same way that the major automakers (Ford or GM) with their progress in electric vehicles. I am in no way making a political statement,  I am just pointing out an apparent fact with that, so so please don't look at this through a political lens. Now,  why did I revisit this?

In a strange twist,  just like something from a movie.  Tesla announced that it is recalling nearly all 2 million of its cars on US roads to limit the use of its Autopilot feature following a two-year probe by US safety regulators of roughly 1,000 crashes in which the feature was engaged.



Leave the World Behind was released on November 22, and this recall occurred in December 13, less than a month after the world saw this scene.  Was this just an odd coincidence? That is entirely possible,  but I don't really believe in those and think this was some of the predictive programming I mentioned above.  Would it really be out of the realm of possibility that President Obama or someone in his team got wind of the pending report by someone on the safety committee? I don't think so.  Or, would it be possible that after seeing the scene (and even Elon commenting on it on social media), the movie forced Tesla's hand? We will probably never know.  All I know is I don't believe in coincidence,  and this one is just too perfect.  Agree or disagree,  let me know. 

Wednesday, December 20, 2023

Leave the World Behind (2023) Part 2 - 1619 MHz

This is a movie that has created so much buzz on Tik Tok and other social media with the ever-changing symbolism sprinkled through the film.  While some of it is obvious,  some of the other stuff is more obscure.  One of those I will go over today in part two, the 1619 MHz frequency that shows up on the radio screen in the car.

Plot: A family vacation on Long Island is interrupted by two strangers bearing news of a blackout. As the threat grows, both families must decide how best to survive the potential crisis, all while grappling with their own place in this collapsing world.

When I first saw this in the film,  it didn't register.  I originally thought that it was a satellite radio malfunction.  But,  at second glance, it damned on me that the frequency say outside of all three major radio systems AM, FM, or Satellite. While 1619 MHz (or 1.616 GHz) can be used for satellite communications uplink, it is mostly used in L-Band RADAR. The wavelength range of L band is 30–15 cm. The L band is one of the chief operating ranges used by various applications such as radars, global positioning systems (GPS), telecommunications and aircraft surveillance. So, this was an odd choice for the radio,  but why?

One of the simplest dots to connect would be to associate it with the 1619 Project, after all, a ship named White Lion made a huge impact early on in the movie.  For those not b familiar, the 1619 Project is The New York Times Magazine's award-winning reframing of American history that placed slavery and its continuing legacy at the center of our national narrative. And the ship that delivered the slaves to the shores of America? The White Lion.

I could have stopped there,  but,  something kept nagging at me.  That's when the thought of the frequency detected at Skinwalker Ranch when a UAP appeared on the television show The Secret of Skinwalker Ranch popped into my head. That frequency was 1.6 Ghz. While that frequency on the show was a general 1.6 GHz, it still popped into my head because it would still sit within the bandwidth.  With all the talk of disclosure going around (especially in Congress) would it be outside the realm of predictive programming to plant the seed on a potential communication frequency?

That's when I found this video on Tik Tok that sat in the 1.6 GHz range.  While I don't have the equipment here to verify and it is outside the 1619 MHz mentioned in the film,  again it is. In the same bandwidth. This could all be a coincidence, but I don't believe in coincidence. 

In the end,  it is likely another reference to White Lion and the 1619 Project, but other possibilities can exist. Possibly even one that we don't know about yet.  If you agree,  or have a thought about this featured,  leave me a comment.  Plus,  stay tuned for the next entry in this series.  



Tuesday, May 30, 2023

The Silence (2019)

While I did take a day yesterday to pay respects to all those that have fallen, I couldn't stay away from a movie in the evening. So, after catching up on The Blacklist, I decided to check out The Silence from 2019. 
Plot: The story of a family struggling to survive in a world terrorized by a deadly primeval species that has evolved for millions of years in the pitch-darkness of a vast underground cave system, hunting only with their acute hearing ability. As the family seeks refuge in a remote haven where they can wait out the invasion, they start to wonder what kind of world will remain when they're ready to emerge.

When i sat down last night i want looking for a blockbuster,  but i hoped for something that was at least exciting. Unfortunately,  this wasn't it.  While this one wasn't terrible, and was watchable,  it had the potential to be a lot more. Featuring a solid cast, decent atmosphere, and a cool soundtrack, this one was littered with missed opportunities. The storyline was uneven,  the creatures themselves packed little punch, and the ending felt a little forced. In the end, this movie was a good time killer on a dreary afternoon, but not much more. 





Tuesday, January 22, 2019

2036 Origin Unknown (2018)




I know, I know, I haven’t been around the blog as much as I had intended, but that is all for a good reason. A few months ago, I got contracted to start a series of stories for an Instagram based app called texties.lol and I have been hard at work bringing my Man of Cloth character and the world of Summit View to life. So far, it has been an extreme success and I signed on for a second installment. I have also been busy working on my pop culture and vintage toy store, something that I hope will take off and allow me more freedom in the future. With that, you will be seeing some changes to The Ringmaster’s Realm, as it will serve as the headquarters for both my movie reviews as well as store announcements with cool finds and item listings, so stay tuned. Well, enough on that, the next movie for review is the 2018 science fiction entry 2036 Origin Unknown.


Plot/ After a failed mission to Mars, A.I./ARTI is now used for the 2036 mission with a few human supervisors. A monolith of unknown origin is found there. It will have a big effect on Earth.


Being a fan of the genre, I really wanted to love this one. Unfortunately, I could not truly get into it as much as I thought I would. The story and plot really don’t add anything to the genre that we haven’t seen before. In fact, much of the movie sets up to be far more confusing than it should have been. The pacing is slow, there is no real action, too many things are left open to interpretation and are never explained in detail. I did like the use of AI and found it interesting that this is another example of how filmmakers turn the keys to everything over to a machine. Personally, I must agree that it will end badly when that happens. There is also a solid baseline of tension layered throughout, even if the entire storyline is predictable and lacking depth. In the end, this is far from a perfect movie, but there is at least some unanswered questions that make you think. While I would not completely recommend it to everyone, it does make a good backdrop if you are trying to get some work done.



Monday, October 22, 2018

Nightmare City (1980)




I have really enjoyed getting back into the blogging scene and have found a new enjoyment with watching different facets of the horror genre. Unfortunately, I am not all the way back as many things seem to be the same stuff just repackaged and I am not there yet. One thing that was different was this 1980 entry Nightmare City.


Plot/ An airplane exposed to radiation lands, and blood drinking zombies emerge armed with knives, guns and teeth! They go on a rampage slicing, dicing, and biting their way across the Italian countryside.


Let me ask, is there anything better than low budget Italian horror from the 1980s? Personally, I find it extremely entertaining and always fun. Honestly, you never know what you are going to get. That is the case with this one. Yes, the effects are cheesy, the performances are all over the place, and the plot from the start is unbelievable at best. Really, from the first scene with the aircraft, it is insanity. Sure, the storyline does open some valid questions, there is a touch of humanity, there is a lot of action, and the characters are somewhat believable (and aren’t afraid to show skin); all positives for a movie that is often overlooked. In the end, this one is worth watching (especially with it being available on Amazon Prime. If you are like me and love low budget Italian horror, give this one a shot. You are missing out if you have not seen it.



Wednesday, September 13, 2017

The Thing (1982)



After treating myself to a musical with Sweeney Todd, I decided that I needed something with a little more realism and some horrific splatter scenes and gore. I finally settled on the 1982 John Carpenter classic, The Thing.


Plot/ A research facility in Antarctica comes across an alien force that can become anything it touches with 100% accuracy. The members must now find out who is human and who is not before it is too late.


I remember when this one came out because it was a fascinating watch. Having just seen ET and feeling bored, this one was what I expected in an alien flick. Looking back at it now, I appreciate it even more because of the effects. The practical effects in this movie are some of the best and definitely run laps around the majority of CGI crap that hits the screen today. Even better, everything holds up well even after all these years. The atmosphere is dark, heavy, and toxic, the cast and performances are solid, and the amount of paranoia created within the scripting was amazing. And, did I mention the gore and effects? Honestly, not only are they realistic, but also they fit perfectly with the tension built throughout the film. In the end, this may be one of the best films by John Carpenter and it should be revered in the same manner as Halloween, Prince of Darkness (Okay, one of my favorites) or The Fog. If you have not watched this one yet, you are missing one of the best horror films of the 1980s. Find it and check it out.


Wednesday, August 30, 2017

The Dead Zone (1983)



After last night, I wanted to watch something that was both older and entertaining. After some searching on my streaming services, I decided on the 1983 thriller The Dead Zone.


Plot/ Johnny Smith wakes from a coma due to a car accident, only to find he has lost five years of his life, and yet gained psychic powers. Foreseeing the future appears to be a gift at first, but ends up causing problems.


This movie often is overlooked when talking about David Cronenberg and his resume. Yet, this one may be one of his best films, albeit one that is nowhere close to being as graphic of some of his other films. Based on the novel by Stephen King, this one is definitely more of a thriller than straight horror film and it sits near the top of the King adaptations. Incredibly, this film holds up rather well considering its age and is a flick that is both atmospheric and enlightening. The performances are solid with Christopher Walken not only embracing his role, but also carrying the sadness of the part perfectly to add to the atmosphere. The entire cast works, the cinematography is outstanding, the soundtrack adds depth to the film, and the storyline is well constructed. Yes, there are some costuming elements that feel dated and the pacing is a touch slow, but for a thriller, neither of those do anything to damage the feel of the movie. In the end, I am not usually a fan of King adaptations, but this is a story that I loved when I read it, I loved the first time I saw the movie, and I still enjoy today. Plus, with it on Prime, it is a great movie to catch for free and feel a sense of dread.


Tuesday, August 15, 2017

The Blessed Ones (2016)



Last night I made it through a couple of movies, but unfortunately, neither did anything more than help me pass time. The first one of those was the 2016 flick The Blessed Ones (AKA Polaris and The Divine Ones).


Plot/ The Blessed Ones shadows a tightly knit cult hiding in a remote desert enclave as they prepare for the impending apocalypse. Two dissenters try to escape through the vast desert wasteland as the cult embarks on a mass suicide pact.


When I read the synopsis of this one at Family Video, I was drawn in. Disturbed cults and serial killers are always great subjects to watch or write about. This low budget indie flick was an interesting film with a storyline that I thought explored many of the darker facets that exist within a cult. The problem is that the budget in no way helped bring what could have been an extremely entertaining and possibly surreal movie to life. Yes, there are some positive moments with solid cinematography and interesting concepts, but overall, the film felt disjointed, the scripting and performances uneven, and the pace felt predictable and forced, unfortunately, these flaws also left the film somewhat unmemorable and left me wanting more. In the end, while I loved the concept, it never really reached its potential. Yes, it has a few moments, but not enough to make it worth watching. Stay away.




Monday, May 22, 2017

Oceans Rising (2017)



After watching and being amazed by Twin Peaks: The Return last night, it was hard to sit down and write a review on anything today. There was so much going on in the first two episodes; it was one of the greatest mental journeys I have gone on in a long time. Unfortunately, my next review will be on the opposite end of the spectrum. That is the 2017 SyFy disaster flick Oceans Rising from The Asylum.


Plot/ A scientist builds a boat after his warnings of an Earth-destroying flood are ignored. But when it's evident the disaster will occur, those who maligned the scientist now turn to him in desperation, boarding the ark and seeking his answers before the world drowns in a never ending sea.


If you have been following the blog, you would know that I went through a streak of rather flawed movies recently. While some of them were bad, I can honestly say that none of them sunk to the lowly depths like this one. Actually, I am convinced that this may be the worst movie I have seen in a few years. Going in, I knew that I was going to have to suspend belief to make it through, but about 10 minutes in you will realize that it is an impossible task. There is nothing anyone could do to even imagine any of this being plausible. I understand it is a movie and it should have some of those elements, but, there are usually a few things inside the film that you can relate to. That is not the case with this one. The storyline is too unbelievable, the effects range from laughable to terrible (especially the CGI), the performances are overly flat, and the dialog and scripting make no sense. In the end, there is absolutely no reason to watch this movie. Truthfully, I think my review may even make it sound better than it is. Stay away; stay far away!


Friday, January 13, 2017

Cell (2016)



While I know this is Friday the 13th and I should be doing a review of one of those films, the one I grabbed (and am watching right now), I have already reviewed. So, to fill that void, I am writing up the movie from last night, 2016s Cell.


Plot/ When a mysterious cell phone signal causes apocalyptic chaos; an artist is determined to reunite with his young son in New England.


I have never read this book by Stephen King, but honestly, that was probably a good thing because it is often difficult to watch adaptations of his work if you are familiar with the source material. From watching this and the disjointed storyline, I definitely imagine that was the case. More of a philosophical thriller than zombie horror flick, there were some elements of the story that were intriguing. In many ways, this is the world that we live in and I could see society suffer with some type of psychological trauma if something similar happened. The scripting was honest; the performances decent, and there were some atmospheric moments that made this somewhat interesting. Unfortunately, the cinematography and effects make this more of a low budget B-movie destined for the SyFy Channel than anything else, a surprising fact when you see that John Cusack and Samuel L. Jackson take on the lead roles. In the end, this one is nothing memorable and I imagine that the book was a better time. Is it watchable? Yes, but, have I seen worse? Absolutely!


Monday, September 26, 2016

JeruZalem (2015)



After spending some time in the world of documentaries last night, I decided that I wanted to take a trip into something darker. After some debate, I decided on the 2015 found footage flick JeruZalem.


Plot/ When a couple of American young adults fly to Israel to visit the city of Jerusalem, a biblical nightmare falls upon the city.


This film is definitely one that will be polarizing, especially viewing it as strictly a found footage film. Yes, this one suffers from many of the flaws that plague the genre with overdone acting and a narrow view of everything that is happening in an around the city (yes, I would have loved to see more of the demons). To me, the historic references, biblical overtones, and some of the underlying social conflicts make it interesting on a higher level than most mindless horror that comes out in this age. While it is found footage, the idea of using something similar to Google Glass is a thought-provoking approach to filmmaking and there is just enough creepiness with the creatures (Nephilim?). Yes, the acting is a bit uneven and there are some giant holes in the storyline, but those should be expected with this type of found footage entry. In the end, this is not the best movie in the genre, but it is far from the worst. If you like this style of film, give it a shot. If you do not, I would likely stay away.


Thursday, September 22, 2016

The Beyond (1981)



There really is nothing better than the classic Italian horror films of the 1980s. Whether it was Argento, Bava, or Fulci, there understanding of the genre was incredible. Tonight, I decided to revisit one of those masters, with the 1981 Lucio Fulci entry The Beyond on Shudder.


Plot/ A young woman inherits an old hotel in Louisiana where after a series of supernatural accidents, she learns that the building was built over one of the entrances to Hell.


As a horror fan, growing up in the 1980s was a dream come true, as some of the best horror movies came from that era with the Italian horror maestros creating some of the greatest films of the genre. In this Lucio Fulci classic, you will find everything that made those films great. This is a great combination of atmosphere, gore, and storyline that created a movie that may be one of the most influential films of the era. The performances are solid; the special effects are outstanding, the cinematography flows perfectly within the atmospheric soundtrack, and there is enough gore to make every fan of the genre smile. Sure, the nonlinear storyline and structure may not agree with everyone, and some may seem slow, but those are but minor flaws in this entry. In the end, this movie is one of the best from the decade and a movie that has stood the test of time. Plus, with some Lovecraftian elements sprinkled in, there is a lot more to like than with most films from this period. If you have not seen it, you are missing out! Watch it now!


Tuesday, August 30, 2016

Demons (1985)



With my evening winding down after working on some nonfiction writing samples, I decided that I needed a trip into something mindless to help keep myself focused. What did I watch to help keep me motivated, nothing other than the 1985 classic Demons?


Plot/ A group of people are trapped in a large movie theater in West Berlin that is infected by ravenous demons who proceed to kill and posses the humans one-by-one, thereby multiplying their numbers.


If you were around in the 1980s and a horror fan, you should definitely remember what real horror looks like. There was none of this watered-down PG-13 crap masquerading as horror flicks; there was blood, gore, violence, and nudity. Honestly, there was anything and everything, and personally, I long for those days of cinema. This movie captures all of the excess of that decade and creates a memorable trip into the horror realm. Yes, it makes little sense, but that was the point, it was just fun mindless horror in an era that needed it. Helped by Italian horror masters Dario Argento and Lamberto Bava, this one has blood, guts, gore, and the kitchen sink. Hell, it even featured an interesting soundtrack that is a perfect trip down memory lane. In the end, if you love 1980s horror, you have to watch this one if you haven’t seen it already. Yes, there may be some flaws and dated effects, but it is a mindless romp through a dark and twisted world.