Parasite (1982)

Okay, so I had to take a few days away with the Halloween Parade and finishing my final script for the radio-drama that I had been contracted to do. Although I was busy, I did have some time to get some movie viewing in. Next up on the docket is the 1982 schlockfest Parasite.

Plot/ Paul Dean has created a deadly parasite that is now attached to his stomach. He and his female companion, Patricia Welles, must find a way to destroy it while also trying to avoid Ricus, his rednecks, and an evil government Merchant.

While no one will ever mistake this Charles Band movie for something great, it is one of his better entries, and one that I will admit seems to have gotten a little better with age. This schlockfest has everything one would expect from this era; splatter, gore, lasers, and a post-apocalyptic storyline that is all over the place. Straight from the age of big box horror, this entry does have some solid cinematography, over-the-top (yet bad and cheesy) effects, and some interesting performances (Demi Moore jumps out), but those positives do nothing to help offset the total film. The quality is bad, even calling this a B Movie is a stretch. The pacing is slow, it is predictable, and many of the 3D installments fall flat (this was during the 3D revival that took place in the 1980s). Still, this one, while it is bad, is one of those schlockfests that should not be overlooked and does have some entertainment value (especially with the whole 1980s feel in the future post apocalypse world of 1993).In the end, if you are in the mood for some no-thinking B-grade schlock give it a shot; if that isn’t your thing, stay away. 

The Thing (1982)

After treating myself to a musical with Sweeney Todd, I decided that I needed something with a little more realism and some horrific splatter scenes and gore. I finally settled on the 1982 John Carpenter classic, The Thing.

Plot/ A research facility in Antarctica comes across an alien force that can become anything it touches with 100% accuracy. The members must now find out who is human and who is not before it is too late.

I remember when this one came out because it was a fascinating watch. Having just seen ET and feeling bored, this one was what I expected in an alien flick. Looking back at it now, I appreciate it even more because of the effects. The practical effects in this movie are some of the best and definitely run laps around the majority of CGI crap that hits the screen today. Even better, everything holds up well even after all these years. The atmosphere is dark, heavy, and toxic, the cast and performances are solid, and the amount of paranoia created within the scripting was amazing. And, did I mention the gore and effects? Honestly, not only are they realistic, but also they fit perfectly with the tension built throughout the film. In the end, this may be one of the best films by John Carpenter and it should be revered in the same manner as Halloween, Prince of Darkness (Okay, one of my favorites) or The Fog. If you have not watched this one yet, you are missing one of the best horror films of the 1980s. Find it and check it out.

Alien: Covenant (2017)

I decided to take a couple days away from the blog to relax and to spend some time helping out a good cause by entering the dunk tank dressed as my favorite character Bert the Bird. That did not stop me from watching a couple movies. The first one that I am going to review from that group is the 2017 sci-fi entry Alien: Covenant.

Plot/ The crew of a colony ship, bound for a remote planet, discover an uncharted paradise with a threat beyond their imagination and must attempt a harrowing escape.

I have always been a fan of the Alien universe and was looking forward to this installment. Unfortunately, for me, this one did not leave me wanting more as it felt extremely forced and less organic than some of the earlier films that made the franchise great. While it was not terrible, it just lacked the dark and foreboding atmosphere that saturated the earlier entries. Plus, the characters left nothing to be desired and were flat and predictable throughout. Even the Xenomorph and the effects lacked the feel and intensity of the source materials and the ending was expected. The cinematography and scenery worked, the performances were not terrible, and there was potential within the storyline to create something interesting, this one just missed the mark. Overall, it just did not hit home like the originals. In the end, I really wanted to like this film, but I couldn’t. Sure, it was not completely terrible or the worst sci-fi flick out there, but it just did not resonate in the same way that the original Alien films did.

Viral (2016)

Now that the weekend has finally arrived, it was nice to kick back and watch a movie that was actually somewhat believable in the grand scheme of reality. Sure, something like this would be unlikely, but it would be possible. What was that movie? It was the 2016 independent entry Viral.

Plot/ Following the outbreak of a virus that wipes out the majority of the human population, a young woman documents her family's new life in quarantine and tries to protect her infected sister.

When I saw this one, I actually expected another typical outbreak type film. However, what I found was something different and somewhat refreshing. While this is more of a slow burn character driven drama than straight outbreak driven gorefest, it does have a few moments that jump out and bring some of the horror elements to life. The scripting is solid, the characters are at least somewhat memorable, and the cinematography is decent. Yes, it does not bring everything to life in a manner that would make it overly exciting or terrifying, the performances are average, and it felt somewhat predictable and cliché, but it is still extremely watchable. In the end, it was an interesting approach to a post apocalyptic/outbreak themed movie. If you like that type of movie, you will definitely enjoy this one.

Shivers (1975)

Over the past few days, I have watched a wide variety of stuff. Sometimes, I get in these moods, and cannot figure out exactly what I am in the mood for. This has definitely been one of those periods. Of course, it is likely the math, I hate math. One of the more interesting films I have watched over this period is the 1975 exploitation horror flick Shivers (AKA They Came From Within); the movie that in many ways created a cinematic legend.

Plot/ The residents of a suburban high-rise apartment building are being infected by a strain of parasites that turn them into mindless, sex-crazed fiends out to infect others by the slightest sexual contact.

Shivers was an interesting film with a fascinating mixture of sexual indulgence and zombielike overtones. Truly, it was a film that fit in the middle of the low budget exploitation movement of the time ad should be viewed as such. Amazingly, writer /director David Cronenberg knew little about the filmmaking profession, yet created a piece that demonstrated the skills (and thematic elements) that would make him a household name. The film is definitely uneven, with some so-so acting, incoherent moments, and low budget quality, but that does not matter when you immerse yourself into the storyline and remember that this movie predated the anti-sex craze and viral epidemics that plagued the world in the late 1970s to early 1980s. In the end, this early Cronenberg piece may not be perfect, but it is one of the more influential films in his catalog. Not for everyone, so be warned, but it is a movie that should be seen.