The Devil Conspiracy (2022)

When I settled in after getting my NFL work finished this afternoon, I wasn’t sure what I was going to watch. I had debated going with some holiday horror, but I have watch a couple of those this week. Instead, I decided to take a more religious approach with the 2022 entry The Devil Conspiracy. 

Plot: A cult steals the Shroud of Turin for wicked purposes.

Going into this one, I had the mindset that it was going to be a low budget trainwreck. Boy, was I surprised. Yes, this movie is far from perfect, but there were parts that were pretty good and entertaining. The acting isn’t bad, the storyline does have some originality, there is blood, and the theme is interesting. Sure, there were a few weird moments that didn’t feel like it meshed and some of it was truly unbelievable, but those moments did not take it off-track. In the end, this was a lot better than I thought and worth watching at least once. Especially on multiple streaming services. 

Dark Breed (1996)

After finishing my physical therapy this morning, I just wanted to relax and recover. Having someone attempt to stretch scar tissue really isn’t a fun experience. To assist in this endeavor, I went to Tubi to find something Sci-Fi related and decided on 1996s Dark Breed. 

Plot: Six astronauts are infected by an alien organism.

More of a cheesy action flick than horror movie , Dark Breed, offers a ton of explosions and is a low budget conglomeration of multiple Sci-Fi stories wrapped in one package. The acting is ok and there is a ton of stunt work that makes it fun, but lost in all the explosions and craziness is not much of a coherent story and it lacks teeth to be anything more than an outlandish action film. In the end, this is not really a Sci-Fi film. Yes, there are alien/infection overtones, but those are lost in the execution. I do not recommend this one for Sci-Fi fans at all. 

Season of the Witch (1972)

After watching some holiday horror, I decided that I needed to go into the time machine and check out a classic. Growing up in the Pittsburgh area, no one was bigger than George Romero, his living dead series is woven into our fabric. While this one isn’t part of that series, it is one that I remember renting on VHS in my youth, 1972s Season of the Witch AKA Hungry Wives. 

Plot: A neglected, unhappy suburban housewife gets mixed up in witchcraft with unexpected consequences.

I know this one isn’t for everyone and it is likely one of Romero’s weakest entries, but there is something about that I love. Not a true horror film by any means, this one is more artsy and almost experimental within the confines of a dark, almost exploitative drama. There are occult overtones and multiple dream sequences that dive into more horror elements, but it is definitely nowhere near horror. The performances are solid and the ideas are there to outline what he was thinking, but it is a bit wordy and slow at times. The pacing does bring the film down, likely turning off many with the way it slowly builds. The technical aspects are rather good and overall it isn’t a terrible film. In the end, this one definitely isn’t Romero’s best work and won’t be for everyone, but it is worth watching at least once. Romero laid the foundation for horror as we know it today and he could have never achieved that without his early entries like this

Blood Sabbath (1972)

I took a few days away as I have been busy around the shop.  Between that and the weather, I haven't wanted to watch anything or really do anything, but I figured that I would get back to some movies today I was the best skies continued above us.  My selection was a 1970s witchcraft flick Blood Sabbath. 

Plot: A coven of witches captures a young man travelling through the woods. He gets involved in a power struggle between a beautiful witch and the evil queen who heads the coven.

Ok,  this one is exactly what you would expect from the early 70s. Surely made for the drive-in era,  this is a strange one.  Not really a horror movie,  but from the beginning of the Satanic Panic, it was clearly playing on the fears of the population with the nudity and the Occult and witchcraft overtones. The storyline makes little sense and had me scratching my head on multiple occasions, the pacing is slow,  and performances are in no way convincing. I'm sure this was a low budget entry,  but still,  there aren't many things to make it worthwhile.  Fortunately,  it was streaming on Tubi, so I didn't have to spend anything to take up 90 or so minutes.  Stay away.  

Brainscan (1994)

After a few duds over the past few days,  I decided it was time to reach into the past for something I haven't watched in years. My selection was the fun horror film from 1994, Brainscan.

Plot: A teenager is part of an interactive video game where he kills innocent victims. Later, the murders become real.

This is a fun movie and one that screams 1990s. The cast is decent and there are some great performances, especially that of the Trickster. Sure some of it feels dated today, the storyline, while fun, is outlandish, and the early special effects are hit and miss, but after that,  there is a lot to like. The atmosphere sittings,  the pacing is great,  and the overall feel really works. I am so glad that I decided to revisit it.  In the end,  this one may be leaving Tubi soon,  and that's a shame. If you are looking for a great throwback,  give this one a shot,  you would likely enjoy it.  

Summer of Fear (1978)

I decided to take a break from cryptids today and did into another interesting topic, Witchcraft.  After did quick searching,  I decided on the made for Television Wes Craven entry Summer of Fear. (AKA Stranger in Our House)

Plot: A teenage girl's life is turned upside down after her cousin moves into her house, and as time goes by she begins to suspect that she may be a practitioner of witchcraft.

For this looking for a precursor to Freddy and a Nightmare on Elm Street, this one will likely disappoint. Origins this third horror entry for Wes Craven was a made for television movie,  thus,  it lacks the impact of typical theatrical releases. However,  the cast and performances are actually pretty good.  Yes,  the setting, costuming, and some of the technical aspects feel and appear dated, but for a movie from the late 70s, most of it holds up quite well.  The storyline is interesting (although a bit predictable) and it did keep me interested to see how it was going to end (did they make a sequel?). In the end,  this wasn't a bad time at all.  Yes,  it won't be for everyone,  but if you are looking for a subtle witchcraft bar film give it a shot.  

Mothman: Beyond the Legend (2023)

I just found out yet I'll be heading off to Point Pleasant, WV at the end of the week for a quick birthday trip and I can't wait.  If you have ready my blog from the outset,  you will already know about my fascination with Mothman and most of the world of cryptids. I can't wait to explore the birthplace of a legendary cryptid.  To help prepare,  I searched out a documentary that I hadn't watched yet and found this 2023 entry,  Mothman: Beyond the Legend. 

Plot: Global sightings challenge the notion that the Mothman is a figment of imagination, but rather an omen of change—or simply beyond our understanding.

This was an interesting documentary on the Mothman that prevents information in a straightforward manner.  While it does lack some of the flair of many of the higher budgeted entries in the topic,  this one definitely takes on quite a bit of material and methodically produces it in a way that flows together quite well. Not only do they discuss the besieging of Point Pleasant, they discuss how the myth has endured and its impact on pop culture.  They also present some cases from all over that have similar characteristics such as the Owlman of Cornwall. In the end,  this was a simple refresher for me that came across pretty good.  Yes,  it is definitely completed on a low budget featuring some and stock footage,  but for informational purposes it served us purpose. In the end, if you are looking for reenactments or craft effects this one may not be for you,  but if you are simply looking for information, give this one a shot.  

Your Vice is a Locked Room and Only I Have the Key (1972)

It was definitely nice being back home in Virginia Beach, although I will say I miss the quiet that came with being in Pennsylvania. Now at home,  I wanted to do what I do every year on this day,  celebrate the birth of the great Edgar Allan Poe. This year I chose the underrated 1972 loose adaptation of the Black Cat, Your Vice is a Locked Room and Only I Have the Key.

Plot: Oliviero is a drunk, burned-out writer who amuses himself by hosting orgies and humiliating his wife. When a number of women are murdered in grisly fashion, Oliviero becomes a prime suspect.

This is dungeon one in a long line of "loose" adaptations of Poe's work.  Yet,  this stylized giallo is rather entertaining. This one did drag a bit and seemed longer than it needed to be,  but to me this is offset by the solid performances,  gore, outstanding soundscape, nudity, and cinematography. Plus,  it did actually have interesting dialog and eventually did venture into some of Pos's tale,  which was the goal for the day.  Sure, there is a low body count and it wasn't as eye catching as did of the giallo movies of the era,  but they didn't hurt the movie much.  In the end,  this one is definitely for fans of the genre and a fun film to stream.  Giallo fans should check it out. 

Five Dolls for an August Moon (1970)

Wow, it was a cold one here in Pennsylvania today.  It was definitely a far cry from what I am used to at the beach.  Oh well,  what can you do? After picking up a few things for the toy store,  I decided to stay warm by watching a movie,  my choice was the 1970 Italian horror, Five Dolls for an August Moon. 

Plot: When an inventor takes a group of investors for an island vacation, an unseen murderer kills them one by one.

While there are many elements in this one that screams Bava, there is definitely something lacking in this one.  Artistically this one features some solid work with with the direction and cinematography, but it definitely does not match the quality of did of his other works. The storyline and scripting are lacking, leading to what eventually spirals into a mess. Fortunately, Bava does enough to keep the movie from being boring and it isn't a total waste.  In the end,  this is far from his best work, but he still manages to create an entertaining and watchable film. It's not perfect by any means,  but you can still give it a shot. 

Watch Me When I Kill (1977)

After another day of miserable weather and just sitting around the house,  I decided to venture back into some classic Italian horror.  My selection was the 1977 giallo,  Watch Me When I Kill. 

Plot: When a pharmacist is murdered and a woman happens to see the culprit leave the scene, she soon finds herself being stalked by the killer. Her boyfriend tries to identify the murdered and stop him, but discovers there is more to the murder.

This giallo definitely pays homage to easily Dario Argento with many elements feeling like they are right from his classic Deep Red. While not a rip off,  the elements are noticeable. However,  this is an entertaining movie to watch featuring some good kills,  an interesting story,  and a fun soundtrack that takes you back into the 70s and classic Italian horror.  Technically,  there are some flaws with the audio flow and the language dubbing, and the effects are somewhat minimalistic, but those flaws are really covered by the storyline and performances.  In the end,  this is a solid movie and one that probably should be watched if you are a fan of giallo. 

Mother of Tears (2007)

I sat down to find something to watch earlier after deciding to end my Hellraiser marathon and decided to give Tubi a try and I have to say,  I'm hooked.  After searching through their titles,  I decided on the finale of Dario Argento's Three Mothers Trilogy, 2007s Mother of Tears.

Plot: Grisly deaths await Italian citizens after an archaeology student (Asia Argento) accidentally releases a demonic witch from her ancient prison.

Let me start with the typical this one isn't for everyone, especially those looking for an Argento classic or something remotely close to the groundbreaking horror that put him on the map.  This definitely isn't they.  Although,  there are some good elements that can remind you of that era. The stylistic colors,  the soundtrack,  and even some of the pacing definitely have that feel. Even the gore is over the top,  like many of the Italian horror classics. What this one lacks is a solid script and is a bit disjointed with uneven performances.  Of the three movies,  this one is definitely is definitely my least favorite. Is it worth watching? Possibly,  if you are like me and wanted to finish the Trilogy,  it's a must. Other than that,  there are better Argento entries.