Showing posts with label Urban Legend. Show all posts
Showing posts with label Urban Legend. Show all posts

Wednesday, October 25, 2023

Candyman (1992)


Today, I started to go back through some classic horror films to brush up before a trivia contest on Sunday. One film that I watched (and one of my favorites) is Candyman from 1992.

Plot: The Candyman, a murderous soul with a hook for a hand, is accidentally summoned to reality by a skeptic grad student researching the monster's myth.

This may be the best horror movie of the 1990s and incredibly, it continues to hold its own even after all these years.  A faithful adaption of Clive Barkers' short story,  this one has a tremendous atmosphere, outstanding performances,  and a worthwhile ending that adds to the overall feel of the movie.  Most importantly,  it has a very creepy storyline that draws you in and keeps you engaged throughout. If you haven't seen this original version, check it out.  It is one of the best and it started a franchise that continues to draw in followers. 

Sunday, February 19, 2023

Butterfly Kisses (2018)


After a few day hiatus to get the house in order for my mother's visit and to enjoy my birthday, I finally have some time to sit back and relax.  During this days,  I did spend some time watching a few shows and movies. One that I found interesting was the found footage mockumentary Butterfly Kisses.

Plot: filmmaker discovers a box of videotapes depicting a disturbing student film project about an urban legend known as Peeping Tom. As he sets out to prove the footage is real, he becomes obsessed, along with the film crew following him.

Found Footage movies can always be a mixed bag and for a while I stayed away from them because it felt so repetitive. However, I seem to be on a hit streak, vacate this makes 2 in a row that I have thoroughly enjoyed.  This one has an interesting premise and is both somewhat comedic and mysterious. I really liked the way the footage was InfoPath into a rather layered storyline.  The performances were solid,  everything went together,  and there was a touch of atmosphere.  Sure,  there were a few bumpy moments in it, but those didn't really hurt what turned into an intriguing character study. If you like found footage,  check this one out. Oh, one last thing,  didn't Peeping Tom somewhat similar to the Hat Man?

Sunday, October 21, 2018

Slender Man (2018)




While I have been watching a lot of movies at the house, I have also seen a few at our local drive-in. Unfortunately, sometimes even the atmosphere at the drive-in cannot save you from a miserable decision. This is definitely the case the Slender Man from 2018.


Plot/ In a small town in Massachusetts, a group of friends, fascinated by the internet lore of the Slender Man, attempt to prove that he doesn't exist - until one of them mysteriously goes missing.


I wanted to venture into the more modern world with this next one and figured this was the best place to start. Having watched this film with the added atmosphere of the drive-in, I had hoped for so much more (being a fan of the source material). Unfortunately, this movie does nothing with the great foundation and takes you on what has become one of the most overused formulas in horror. Yes, there are a few moments where the cinematography and visuals shine, but other than that, there isn’t anything that would make the movie stand out. There is no type of tension, even less scares, the performances are flat an uninspiring, and the adaptation tries too hard to modernize itself. In fact, it was so average that I almost left the drive-in early because it was beyond predictable and could not keep my attention. In the end, as much as I enjoy the source material, this one has no flair and in no way does it justice. If you haven’t watched it, you aren’t missing anything. Watch some paint dry, it honestly may have more spirit and excitement.


Monday, October 2, 2017

Lycan (2017)



After low-budget sci-fi flick, I decided to find myself a low budget creature feature and I found it at Family Video. Wanting something a touch different than my typical selections, I decided on the 2017 supernatural/werewolf flick Lycan (AKA Talbot County).


Plot/ When six college kids in a sleepy Southern town are assigned a group project to rediscover a moment in history when one of the students sets in motion a horrific fate when he proposes they head into the Georgia backwoods to tackle the legend of Emily Burt, the Talbot County werewolf.


When I saw this synopsis on the box at Family Video, I decided to roll with this low-budget werewolf flick not knowing what t expect. What I found in this indie flick was not perfect (honestly, nowhere close), but it did have some decent elements that stuck inside my mind. The performances are uneven but decent, the cinematography was not bad, and the overall feel of the movie did remind me of my teenage years. Of course, this combination of story forms definitely took its toll, with the mixture of the werewolf, slasher, students in the woods coming across clichéd and predictable. Couple that with the complete lack of depth in the characterizations, weird casting choices, and the lack of consistency with the supernatural elements and you have a movie that is somewhat uneven throughout. In the end, unless you are dead set on a new werewolf flick, I would stay away from this one. Sure, it is not the worst movie in the genre (especially considering the budget), but there are many werewolf movies to choose from and most would make a much better selection. Be warned.


Tuesday, May 9, 2017

The Mothman of Point Pleasant (2017)



Last night, I had the chance to review the Boggy Creek Monster, a documentary based on the legend/movie that left a lasting impression on me and I loved it. Today, I have the opportunity to review a screener for the next documentary from Seth Breedlove and Small Town Monsters, 2017s The Mothman of Point Pleasant.


Plot/ Have you heard of the Mothman, the urban legend that seemed to be a harbinger of doom for the small town of Point Pleasant, WV in the mid-60’s? If not, producer/director Seth Breedlove and Small Town Monsters will explore the history of Point Pleasant and the 13-month period of odd occurrences that left a devastating imprint on this small Appalachian town.


While I am familiar with the Mothman and have done some research into the subject, I will be the first to admit that I do not have the same knowledge and understanding of the topic as I do with cryptids such as Bigfoot or the Jersey Devil. That all changed as I watched this documentary. Following a similar formula to the Boggy Creek Monster, the movie sets out to explore the historic profile of Point Pleasant as well as revisiting the mysterious happenings surrounding the Mothman and the potentially cursed town. This material is tremendous and provides a great background for investigators and viewers to dive into.


With this being the second film I have watched from Small Town Monsters, I can see a consistency with the production values that make their documentaries an easy and entertaining watch. The interviews are well done, the cinematography is outstanding, and the overall feel of the material makes you want to see more. One thing that jumped out was the use of CGI reenactments to marry some of the interviews together; this technique offers a great visual representation that allows the interviews sink in. More importantly with this entry, the material seems to flow in a logical manner and provides some insights and reports that are often overlooked when the story is told; this is impressive considering the short run time (72 minutes). As with every movie, there are some small technical issues with the CGI, but that is clearly budget related and is easily overlooked.


For me, possibly because of my knowledge level on the subject, I found this one much more informative than the Boggy Creek Monster, and a movie that created a timeline that I could use to base my own research into the subject on. In the end, this exploration of the legendary Mothman is one of the best documentaries on the subject I have seen and is an entry that anyone interested in Cryptozoology or urban legends must watch. Check it out when it is released on DVD and streaming platforms on June 2, 2017.


Sunday, April 16, 2017

Horror Short, Rotary , Trailer Debuts



First off, I want to wish everyone a Happy Easter. As I am traveling this holiday, I am reminded of the importance of friends and family (as well as quiet). Fortunately, while I may not have spent much time on the computer this weekend, I have had a chance to get some writing in on my 2017 National Poetry Month project, Salvation. Because of that, I have not really had an opportunity to get many movies in. I did, however, receive word that the 2017 short film Rotary is primed for the festival circuit. Following is the official press release for the movie. 


Urban Legend-Based Period Film Poised to Hit 2017 Festivals 

WASHINGTON, D.C.- The official trailer for Rotary has debuted. You can view the trailer on youtube here: https://youtu.be/suGeUsCxIzM

We may consider urban legends today as trite and sentimental. These “friend of a friend” macabre stories, polished or pock-marked over the years with updated, modern details or crazy twists have cemented their place in our American canon of folklore. 

Kidney heists, Bloody Mary, alligators in the sewer: all resonate tales because in their lack of specificity they become eerily plausible, and we recognize a familiar predicament—one we’d dread. Rotary is based on classic The Babysitter and the Man Upstairs.

Director and Writer Lorenzo Adams explains his impetus for creating the film, “ I've always been infatuated with things of the macabre, things that terrify us as human beings and terrors that have a touch of reality. Rotary is based on an urban legend that dates back to the 1950's. This story, in my opinion, is one of the first kind of home invasion horrors that predate films like The Strangers, Straw Dawgs, and Wait Until Dark. It birthed the horrifying reveal that gave many of us nightmares and questions as to if we were really safe within our own homes. The reality is one of the roots of real horror. ” 

Rotary, written and directed by Lorenzo P. Adams was shot over a five-day period in mid-July at Windy Ridge farmhouse in Galax, Virginia. 

Director Lorenzo P. Adams shares why he knew Windy Ridge was exactly what he was envisioning the moment he saw it. “I knew that I wanted a house that had plenty of character and embodied a vintage look that would effectively place viewers in the time period of the story that takes place.” 

Emma Fawkes makes her debut as the film’s star, 17-year-old Julie Moore. Hunter Ott plays Robert, the young babysitter’s charge. Hunter has previously appeared in Chicago Fire and Deadline: Crime with Tamron Hall. 

The film is in the process of being wrapped up and submitted to several festivals throughout 2017. To find out more about Rotary and receive the latest updates on festival screenings, please visit us on Facebook. Twitter, or Instagram @Rotarythemovie.


Tuesday, October 4, 2016

Spirit in the Woods (2014)



Last night, I could not bring myself to a point to type up this review, I was so frustrated by the movie and the overwhelming amount of predictable and clichéd moments. What was that film? It was the 2014 no budget found footage flick Spirit in the Woods.


Plot/ The fate of five local college students who went missing in the infamous Spiritual Woods is finally unraveled as previously unreleased footage is made public for the first time. Long thought to be dead, the truth turns out to be much worse.


There are times where found footage can be used effectively and create something interesting. Unfortunately, the opposite is also true and the movies do not pan out even when they have a decent storyline. That was definitely the case with this film. While I do applaud any movie that grew out of a Kickstarter project, and I love no-budget horror, there are times when I just cannot relate or feel anything in a film, and for me, that happened with this film. In fact, I lost so much interest because of the lack of connection, that it did not create any type of reaction. The dialog was all over, the performances uneven at best, and much of it made very little sense (unless you can totally relate to wandering in the woods). Really, it just felt like a subpar version of the Blair Witch Project. In the end, even with my love of low budget and crowd-funded horror, I could not see anything that would make this worth watching again. Stay Away!


Saturday, February 13, 2016

Deep in the Darkness (2014)



After spending the afternoon watching my talented daughter Genesis perform at the West Virginia University high school honors band performance, I decided to sit back and watch some mindless creature feature as I dissected my homework assignments for the weekend. My next selection was the 2014 Chiller Films entry Deep in the Darkness.


Plot/ A doctor and his family move to a quiet, small town. Soon he discovers the town's dark secret: A terrifying race of controlling creatures that live in the darkness in the forest behind their home.


Sometimes you find movies that just keep popping up, and that was the case with this one. What I found was something I did not expect. A lowered budget creature feature, this movie did have some positive moments with some decent performances, some common sense, and a decent concept within a weird atmospheric premise. Unfortunately, it was also somewhat predictable, the creatures unveiled early, and it felt like it ran a touch long. In the end, this one came off better than I originally expected and did have a few entertaining moments. While it is not the best in the genre, it is also better than most low budget creature features that have overtaken the genre. Give it a shot; you could do worse.


Friday, February 5, 2016

The Hollow (2004)



After watching The Watcher last night, I decided to see what would come out if I just left Hulu play. That movie is my next review, the 2004 entry The Hollow.


Plot/ Restless spirits stir this Hollow's Eve, beckoning Ian Cranston, the last blood relative of Ichabod Crane, back to Sleepy Hollow. Thundering hooves unleash a wave of bone-chilling screams as the ghost of the Headless Horseman rides again! Ian must try to save the town and his girlfriend, Karen and determine whether the sword-wielding stalker is their clownish classmate, Brody in costume, or the dark rider himself. If it's truly the Headless Horseman... how do you kill what's already dead?


The Hollow is an interesting modern adaption of the Washington Irving classic tale of Ichabod Crane; unfortunately, it does not fully deliver of the idea. While the cinematography is not bad, the pacing decent, and some of the effects do deliver, for some reason it just does not make an impact. Yes, it was targeted for a younger audience, but it comes across like a mixed up Saturday Afternoon Special that was trapped somewhere in the 1980s. Of course, this could be from the clichéd moments, the uneven scripting, and some questionable performances (not to mention the subpar headless horseman costume). In the end, The Hollow would be good for some type of teen Halloween party, and should not be added to your horror collection.


Wednesday, December 30, 2015

Krampus: The Reckoning (2015)



I cannot believe that tomorrow will be New Years Eve. Looking back, I sucked at keeping up with the blog this year as I battled school, work, and the daughters’ softball schedule. Maybe next year, I will do a better job. Since we are still in the holiday season, I decided to watch another seasonal horror flick, the 2015 no-budget entry, Krampus: The Reckoning.


Plot/ Zoe is a strange little girl, with a not so imaginary friend the Krampus who is the dark companion of kindly old St. Nicholas. The Krampus has been unleashed upon a small town and the legendary demon will seek out all the naughty people to punish them at Christmas time. No one is safe as the Krampus hunts them down, tortures them, and then drags their helpless souls to the depths of hell.


Knowing this was a low budget flick, I went into it expecting the majority of flaws that are usually abound in this arena, and of course, they were there. Even with that, I have to admit that I actually enjoyed the plot and storyline, which while it was sprinkled with some clichéd moments, flashed at least a touch of originality. Yes, it is far from a perfect movie, as there were some pacing issues, uneven performances, and some head scratching moments with the scripting/scenes, but as I alluded to earlier, those were expected, as they are usually present in low budget flicks. In the end, this may not be a great movie, but it is not as terrible as some may say. If you love no-budget horror cinema and can overlook some of the budgetary issues, you may find some late night holiday cheer.


Wednesday, November 4, 2015

Help Support Indie Horror -> Check Out Ominous at IndieGoGo



Everyone loves a good ghost story. Plus, when that story is based on some type of urban legend, the goosebumps grow larger. If you are a follower of my blog (or my writing), you would already know how much I love both topics and how much I love to dive into that type of material.

I remember my time as Editorial Director of Haunted Times Magazine, and how much I would smile when an article about an urban legend came across my desk. Today, I had that same experience when I received an email about an upcoming short film project entitled Ominous.

From the press release:

We may view urban legends today as trite and sentimental. These “friend of a friend” macabre stories polished or pockmarked over the years with updated, timely details or absurd twists have cemented their place in our cannon of American folklore.

Kidney heists, Bloody Mary, alligators in the sewer: all resonate tales because in their lack of specificity, they become eerily plausible, and we recognize a familiar predicament—a predicament that we would all dread.

Ominous is based on the classic, “The Babysitter and the Man Upstairs” tale. However, this story is not based on spurious, slightly removed accounts. In true form to what makes this genre particularly terrifying and has instilled its longevity—it really happened. On March 18, 1950, Janet Christman was brutally murdered while she babysat. Ominous, set in 1965, is loosely based on this tragic event.

In watching the trailer, this short film appears to have the atmosphere and tension to create an outstanding film, and it is an indie project that appears to have a lot more originality than many of the films that come out today. For me, this is a perfect opportunity to support indie horror and hopefully start a movement of more modern and original horror.

If interested, you should check out their website or indiegogo page!



Thursday, January 29, 2015

Feed the Gods (2014)



As another night ticks by, I am at least excited by the fact that I was finally able to submit my Jersey Devil short story for review for possible publication. As a writer, there is nothing worse than the wait for results. With that in my head, I decided on a crypto themed movie: 2014s Feed the Gods.


Plot/ Two brothers return to a small mountain town in search of their long lost parents only to discover that the place has a monstrous taste for tourists.


Yes, I am a sucker for any type of Cryptozoological horror flick that comes along, especially if it is not a SyFy Channel original. While this one was not one of those, it was also hard to classify as a Bigfoot movie, as squatch makes but a brief appearance. More of a straight low horror budget entry, there is not anything new in it, as it features the typical head-scratching actions in the script, uneven performances, and seriously amateur special effects. In fact, other than the last quarter of the film, there was nothing in it that kept my interest peaked. In the end, it was not a terrible low budget entry, but it is definitely not one that I would break down a door to find.


Monday, August 4, 2014

Neverlake (2013)



After a couple of trips into some medieval realms, I decided to venture into something that had a modern flair. After some internal debate, I settled on what sounded like an interesting supernatural journey, the 2013 flick Neverlake.


Plot/ On a trip home to visit her father, Jenny is thrown into a world of mystery, horror and legend when she is called upon by 3000 year old spirits of the Neverlake to help return their lost artifacts and save the lives of missing children.


This was an interesting flick with a lot to like, especially if you enjoy foreign horror/drama. This one definitely has some of the aspects that will take some viewers back to some of the classics from the 1960s. The atmosphere is amazing, the plot had some tremendous surreal moments, there are some outstanding visuals, and the acting is solid. Yes, there are issues, as the characters are rather flat and uninspired and the storyline dives into some combinations of mysticism and medical horror that often go in conflicting directions that drag the movie in weird directions. In the end, this was an entertaining flick that was much better than I expected. Sure, it will turn some off with its atmospheric and slow pacing, but that is part of the charm. Give it a shot!


Wednesday, July 16, 2014

Slenderman Does Not Kill, People Do ---> An Argument





The media often overplays tragic crimes, as the desire to boost ratings trumps the truth. During the process of the media sensationalizing a tragedy, a specific agenda or narrative drives the coverage. Unfortunately, when these situations occur, the root cause of the tragedy is forgotten and the public creates a false sense of reality in viewing the case. This is evident in the recent case involving the Slenderman stabbings.

Instead of determining why the alleged perpetrators attempted to murder their friend, the only fact that was brought forward by the media was the role the Slenderman mythos played in the tragedy. In the article, “Parents, Take Heed: ‘Slenderman’ and More Lurk Online,” written by James Steyer on June 4, 2014 (http://www.cnn.com/2014/06/04/opinion/steyer-slenderman-kids-media/) the author takes on every other aspect of the case, except the condition of the alleged criminals. By ignoring the social or medical conditions that may exist, Steyer missed the mark and played into the practice of mainstream media propagandizing a topic. The truth may be hard for some to comprehend, but in reality, a meme such as Slenderman cannot kill, it is the medical and social issues of the perpetrators that lead to the killings.

In this over-sensationalized society, art, literature, movies, and video games play a large role in entertaining everyone, including our youth, and it becomes easy to point a finger at these areas when a tragedy occurs. The Slenderman case is indeed troubling, and there may never truly be a complete picture of what exactly took place on that day. In a way, Steyer is right: there are dark depths that can be found on the Internet, and parents should be involved in their children’s digital presence (Steyer, 2014, June 4). However, there is a lot more to this story than a character that was created as a meme.

In the Slenderman case, the facts that the media portrays are that a character created in a fictional story was responsible for the horrific stabbing. Yet, criminal and psychological experts agree that they would be surprised if a psychological problem did not exist with the 12-year-old Wisconsin girls who allegedly tried to stab their friend to death in this case (Lumpkin, 2014, June 3). It is a sad truth that medical conditions often do exist, and many are well known by the friends and family of the perpetrator(s), but go unseen by the media and the population. Instead, a target is made and that is what society focuses on.

Whether it is Slenderman in the case of this stabbing or Batman in the case of the Aurora, Colorado, mass shooting, there is no doubt society has been scarred and the root cause of these incidents remain a heated debate. However, instead of a sequential investigation of the emotional, medical and social state of the alleged, the media bypassed the facts and created a narrative. Thus, preventing viewers from making proper judgment on why these events took place. By creating a blanket statement of the dangers that lurk on the Internet and warning parents to take a more active role, Steyer failed to take on the larger problems that exist in a case like the Batman shooting (or the Slenderman stabbing).

While there is some proof that violence in media does have some impact, it cannot solely be the cause. In looking at a cross-section of these heinous crimes, the mental state often comes into clarity early on and there is a high rate of mental disorders among the perpetrators (Schildkraut & Muschert, 2013). In the cross-section of crimes covered by that article, three historic cases were studied and in all three, the perpetrators had been diagnosed with some type of disorder that when coupled with violent content spawned the crimes (Schildkraut & Muschert, 2013).

This type of bias is not new to the digital age; for decades, the media has misrepresented the cause of violent crime. This is another area that Steyer missed the mark on. Tragic crimes like this take place during every decade, and unfortunately, the media creates a scapegoat instead of focusing on the root cause. In this case it was the Internet and a horror literature website.

Whether it was the video games of the 1990s, horror movies of the 1980s, or as pointed out by Patrick Joynt, the comic books of the 1950s, every decade and generation have some type of popular activity or topic that grows into a media target. This targeting even rose to the level of a Senate hearing in the 1950s as the violence, themes, and hidden homoeroticism of comics scared an over-conservative society that blamed them on the rise in what was perceived as immoral behavior (Joynt, 2006, August 22). However, in every case and in every decade, legal action against the industries has failed to reduce their overall popularity and in turn, the government and media created a new enemy to deflect society from the root cause of these heinous crimes and taboo behaviors.

The idea of using a tragedy or a crisis to one’s advantage to push an agenda may seem like a conspiracy theory, when in fact, it is an accepted practice in the media and political worlds. According to former White House Chief of Staff and current Mayor of Chicago Rahm Emmanuel, “never allow a good crisis go to waste when it’s an opportunity to do things that you had never considered or what you didn’t think were possible” (Schneider, 2011, January 11). This thought process shows exactly why characters such as Slenderman end up becoming the target for the media in the country. Instead of combating violent crime at the root, mainstream media and politicians in the country work in unison to create a specific narrative. The end goal is not stopping violent crime or determining why it happened, it is to push an agenda or thought process onto the American population, even if a large percentage of citizens do not want to see that type of change take place.

No matter what society does, or who the media decided to blame, violent crimes would always occur. In a perfect world, exposing the root causes instead of creating a narrative could eliminate these vicious tragedies. Unfortunately, with the lawmakers and media caught up being more concerned with creating a target instead of discovering harsh truths that could impact reputation and wallets of their donors and lobbyists, real progress will never be made at discovering a lasting cure for violent crime and the medical and social conditions that sit at their hearts.

References

Joynt, P. (2006, August 22). Games vs. politics. PC Magazine 25, no. 14: 114-115. Retrieved June 17, 2014, from Academic Search Complete, EBSCOhost

Lumpkin, S. (2014, June 3). Why did 12-year-olds stab friend for ‘Slender Man’?. ABC News. Retrieved
June 16, 2014, from http://abcnews.go.com/Health/12-year-olds-stab-friend-slenderma/story?id=23979903
 
Schildkraut, J., & Muschert, G. (2013). Violent media, guns, and mental Illness: The three ring circus of causal factors for school massacres, as related in media discourse. Fast Capitalism, 10-1. Retrieved June 17, 2014, from http://www.uta.edu/huma/agger/fastcapitalism/10_1/schildkraut10_1.html

Schneider, M. (2011, January 11). Rahm Emanuel: Arizona shooting is a crisis that should go to waste. Mediaite. Retrieved June 26, 2014, from http://www.mediaite.com/tv/rahm-emanuel-arizona-shooting-is-a-crisis-that-should-go-to-waste/

Steyer, J. (2014, June 4). Parents, take heed: ‘Slenderman’ and more lurk online.
Retrieved June 14, 2014, from http://www.cnn.com/2014/06/04/opinion/steyer-slenderman-kids-media/

Sunday, June 8, 2014

Scarecrow (2013)



Every once in a while I enjoying picking up a SyFy Channel original from Family Video to have something the daughters can watch. This was one of those weekends. After some debate, I decided to grab the 2013 flick Scarecrow.


Plot/ When the kids play a terrifying game of cat and mouse in the cornfield with what they believe is a wild animal, Kristen tries to convince them that the Scarecrow is a very real creature of fierce strength and power, rejuvenated by the blood of its prey-and proof comes all.


If you are a fan of schlock, you should definitely be a fan of SyFy originals. While this one is actually one of the better entries, it still comes with many of the flaws that plague these entries. The overall storyline is interesting, the acting is better than usual, and the CGI creature is not as bad as I expected it to be. Unfortunately, it has uneven pacing, there are really no scares, and it quickly loses steam and never truly recovers. In the end, this may be one of the better SyFy originals and has some entertaining moments, but it is not worth searching for. If you catch it on the SyFy Channel, give it a shot, but at Family Video, I would pass.